Black Rabbit Gallery
Artists.
Distinct practices. Individual perspectives. Artists building meaningful work on their own terms.
01 — Artist
Segun Caezar
Segun Caezar is a Nigerian visual artist based in Canada whose practice blends vibrant colour, simplified form, and realism into a distinct visual language.
Guided by a desire to challenge systemic barriers and elevate African narratives, his work questions inherited perceptions while creating space for a more inclusive cultural dialogue.
Moving between Canadian and African experiences, Caezar’s work explores identity, representation, and the shared humanity that connects people across place and culture.
02 — Artist
Ojo Agi
Ojo Agi is a Nigerian-Canadian artist, researcher, and educator whose practice approaches visuality as a site for healing, community building, and social justice.
Her multidisciplinary work explores cultural hybridity, migration, displacement, and health inequities affecting Afro-diasporic communities. Through image-making and storytelling, she considers how agency and empowerment can be reclaimed within systems that shape bodies, wellness, and belonging.
Best known for her figurative drawings on brown paper, Agi centres the emotional well-being of Black women. Her delicate lines and striking expressions create a visual archive in which care, tenderness, and softness become forms of resistance.
Agi has exhibited across Canada and the United States, curated with the Art Gallery of Ontario and Feminist Art Collective, published in C Magazine and Herizons, and taught interdisciplinary drawing at OCAD University.
She holds a BHSc in Health Sciences from the University of Ottawa and an MA in Women and Gender Studies from the University of Toronto. She is currently completing a PhD in Art History at Concordia University.
03 — Artist
Adetona Omokanye
Adetona Omokanye is a photojournalist and visual artist whose work explores the cultures, traditions, people, and social realities of Africa through a deeply observant and personal lens.
With a strong commitment to visual storytelling, he uses photography to reveal the beauty, complexity, and diversity of the continent while resisting singular or reductive narratives.
More recently, Omokanye has expanded his practice into multimedia, creating new relationships between photography, material, fashion, memory, and cultural identity.
His series Spiritually Fashionable was featured in the TD-sponsored group exhibition Black Joy Is Resistance at Toronto’s Union Station.
Omokanye works between Toronto, Canada, and Lagos, Nigeria.