Black Rabbit Gallery · Toronto
Exhibitions
Upcoming exhibition
In Her Image
November 19 –
December 17, 2026
Six women artists explore what it means to be seen and known through painting, photography and textiles.
View exhibition
Black Rabbit Gallery
Exhibition Archive
Explore exhibitions presented at Black Rabbit Gallery.
In Her Image — Group Exhibition
November 19 – December 17, 2026
Black Rabbit Gallery · Toronto
In Her Image brings together six women artists working across painting, photography and textiles to explore the relationship between being seen and being known.
Moving between intimate encounters, imagined environments and moments of everyday life, the exhibition considers how artists shape presence through gesture, pattern and material—determining what an image reveals, what it transforms and what remains beyond the viewer’s reach.
Lately — Trung Hoang
October 15 – November 5, 2026
Black Rabbit Gallery · Toronto
Lately brings together photographs made across Zanzibar, Vietnam, China, Toronto, Sicily, and Six Nations, tracing Trung Hoang’s attention to the quiet rhythms of everyday life.
Moving between portraiture, landscape, and fleeting observation, the exhibition considers travel not as spectacle, but as an act of looking—at people, place, movement, and the small moments that reveal how life is lived.
Origin — Daniella Williams
September 10 – October 8, 2026
Black Rabbit Gallery · Toronto
Origin marks a shift in Williams’ ongoing exploration of observation, intimacy, and the act of looking. The exhibition turns toward the natural world, considering what might emerge when the body is released from the pressures of being seen.
Through increasingly expressive brushwork, figures become less defined, bodies dissolve into foliage, and the distinction between figure and environment begins to recede.
No Paths, Just Moves — Group Exhitbition
July 11 – July 31, 2026
Black Rabbit Gallery · Toronto
No Paths, Just Moves marked the opening of Black Rabbit Gallery, bringing together ten artists working across painting, photography, installation, and multidisciplinary practice.
Rather than presenting a shared aesthetic, the exhibition reflected a shared commitment to making: different practices, different trajectories, and no single prescribed route through the arts.